Entry 022 - Sports Night 119 (Eli's Coming)
In which art necessarily imitates life
SERIES: Sports Night
EPISODE NUMBER: 119
TITLE: Eli’s Coming
PREMIERE: 30 Mar 1999
DIRECTOR: Robert Berlinger
DRAFT SCRIPT: HTML
Your time’s up — let’s get into it.
DAN: Ernie Els, who missed eight fairways on the back nine, still managed to finish the day one under par to stay within three strokes of the leader, Tiger Woods, who [sic] some of you may have heard of.
By the time this episode aired, Tiger Woods had held the number one ranking for male golfers on five separate occasions. Three out of those five times, the golfer to replace him at the top spot was Ernie Els. At the time the episode was written, however, Woods was in the middle of a 41-week streak at the number one spot, so he definitely had more air time than Ernie Els at that point. Funnily enough, two days before this episode aired, Woods was again knocked out of the top spot, but not by Els, rather by fellow American David Duval. That didn’t last long.
CASEY: Don’t forget, tomorrow’s a big day as March Madness heads into the ronde de seize.
Alright, time for the clowning to resume: the draft script we have today is labelled not the “final draft”, but the second revision on the final draft. I shit you not. I swear to fuck, if any of you out there ever label a document as “final”, you are in for a self-applied world of hurt. Not only did this “final draft” get revised at least twice, it still got changed between then and episode air: Casey’s bit of language porn here isn’t in the draft script we have! It’s fully in English as written! Mother of fuck, Mr. Sorkin, you gotta stop with the “final” label…
DAN: When did this happen?
CASEY: You talking about Bobbi Bernstein?
DAN: Yes I am, yes I am talking about Bobbi Bernstein.
CASEY: I guess Dana forgot to tell you.
DAN: Yes, I guess she did, Casey, I guess she forgot to tell me.
DANA: Oh, hey, you know what, Dan? I forgot to tell you about Bobbi Bernstein.
How? For a special expanded edition of the show, I’d think there would be an extended amount of planning that goes into it, with everyone continually involved. Dana and Dan had to have been in the same room many times since Bobbi came into the picture and yet he doesn’t know — but Casey does, somehow, despite what we see in the rest of the episode. (sigh) Don’t think about it too much…
NEW Plot Bunny: Particular about cake
DANA: Listen — Isaac’s gonna want to show us pictures from his vacation, so I’m gonna get a ‘welcome back’ cake and we’ll have a little party in his office tomorrow.
CASEY: What kind of cake?
DANA: What kind of cake?
CASEY: Yes.
DANA: I don’t know, Casey, why do you ask?
CASEY: I’m particular about cake — and I have to say, it’s been my experience that men buy better cake than women. I’ve found that women tend to get these yogurt-frosted low-cal things laced with a rum and fruit concoction that make eating cake into something you do to be polite, so that’s why I was asking what kind of cake you were planning on getting to celebrate Isaac [sic] returning from vacation.
DANA: Wow… I didn’t know you felt so strongly about it, but now that I do, I guess the answer is, “whatever cake I damn please.”
CASEY: Excellent.
Sounds to me a little like Mr. Sorkin had a bad experience with cake at some point before writing this episode. I don’t necessarily blame him, either — I’ve had the displeasure of a just-to-be-polite cake eating before — but I can’t say I agree with the division of the sexes described herein.
Also, for what it’s worth: a simple pound cake does the job for me, no frosting or anything.
DAN: Dana.
DANA: Can you believe I get a whole little cake speech from the guy?
DAN: Yeah…
DANA: I mean, is there anything he won’t make a speech about? Is there anything he won’t sit in judgement on? I mean, I am sorry to end two sentences in a row with a preposition like that, but no kidding, Danny…
Don’t apologize for the preposition thing, Dana — Dan ended a sentence with a preposition on the air just a moment ago, you were there. (He also said “who” instead of “whom” as well, so I guess Dan is having an off day.)
RETURNING Verbal Tic: Here’s the thing
Running count: 11
DAN: Here’s the thing — Bobbi and I have a very peculiar relationship.
DANA: I didn’t know you had a relationship.
DAN: We don’t.
DANA: I’m confused.
RETURNING Dialogue Motif: You and me both
Previous instance: Sports Night 117
DAN: You and me both.
DANA: Dan.
DAN: When I tell people this they don’t believe me. They think I’m lying.
DANA: Don’t be ridiculous, Dan, of course I’m gonna believe you.
RETURNING Dialogue Motif: You say that now
Previous instance: Sports Night 114
DAN: You say that now, and that’s nice, but when I say what I’m gonna say, and you’re not gonna believe me.
DANA: I’ll believe you.
DAN: Really?
RETURNING Verbal Tic: Standing (t)here
Running count: 2
DANA: I’m standing here telling you I’ll believe you.
Boy, that exchange was jam packed with Sorkinisms! Perhaps we should take a breather for a moment. (inhales and exhales slowly) Alright, next.
RETURNING Dialogue Motif: Never been to Spain
Previous instance: Sports Night 113
DAN: Bobbi Bernstein is convinced that a long time ago, in a hotel room in Spain, she and I slept together and that I never called her again. Now, three things are important — I’ve never met Bobbi Bernstein until she started doing field work here for the show; I’ve never slept with Bobby Bernstein; and I have never been to Spain. Thank you for believing me.
DANA: Danny…
DAN: What?
DANA: You never called her?
Aaaaaaand we’re back to the bandwagon: Dana joins Natalie and Casey in either automatically assuming Dan is lying about not sleeping with Bobbi or simply teasing him on a clearly sore subject for him. I still think it’s a shitty thing to joke about, if it’s the latter — and I’m not sold on their considering Dan a psychopathic liar, either.
RETURNING Verbal Tic: Let me tell you something
Running count: 5
DAN: Alright, listen — there’s something with the stuff you guys are putting in your hair.
DANA: Let me tell you something, I put nothing in my hair. I was born with this hair and not enough people know that.
You know what, I believe that.
DAN: Rebecca’s gonna be here tomorrow.
DANA: Rebecca, by the way, colors her hair.
DAN: Dana, what’s that —
DANA: She’s a lovely woman but I’m saying that’s not her natural hair color.
Why would you care, Dana?
RETURNING Verbal Tic: Would(n’t) kill you
Running count: 2
DANA: You should’ve called her.
DAN: I didn’t sleep with her.
DANA: Flowers wouldn’t have killed ya.
Further proof there was at least a third revision on the final draft — the flowers line here comes in place of something different in the second revision:
DROPPED Verbal Tic: Can I ask you something
DRAFT DANA: Can I ask you something?
DRAFT DAN: Sure.
DRAFT DANA: Are Rebecca’s breasts real?
THANK FUCK THAT GOT CUT
I’ve already spent a good deal of time mourning how insecure Dana’s character has been made out to be, and this ask really would have been over-the-line for that. Everything else this episode has to offer for her is enough already.
CASEY: There are days — days that separate the men from the Men.
KIM: The men from the men?
CASEY: That’s right.
ELLIOT: What does —
CASEY: The second ‘men’ was with a capital M.
KIM: Ah.
Man, come on, guys — Casey was very clear with his verbal capitalization earlier, you guys just aren’t even listening properly.
DAN: I just went down to Rebecca’s office, and Steve Cisco was there.
…
CASEY: Steve Cisco was in her office?
DAN: Yes.
CASEY: On a Saturday?
Objection! The Sweet Sixteen isn’t played on Saturday, it’s played on Thursday and Friday! Saturday and Sunday are for the Elite Eight. How are we supposed to have expanded coverage for the Sweet Sixteen on a Saturday?
CASEY: Hey… Rebecca, Steve Cisco, Bobbi Bernstein — you’re gonna have quite a little day.
DAN: Yeah, but I’m not talking about it and I’m not thinking about it.
DAN: My girlfriend’s ex-husband was in her office on a Saturday, and I’m fine.
CASEY: Good.
DAN: And I’m not saying “I’m fine” in that dramatic way that’s obviously meant to indicate that I’m not fine. That’s not what I meant when I said “I’m fine”.
CASEY: What do you mean?
DAN: I meant I’m fine.
CASEY: Okay.
…
DAN: Don’t I look fine?
CASEY: You look good.
…
DAN: Moreover, my girlfriend’s in her office talking to her ex-husband, it’s all happening on a Saturday, and guess what?
CASEY: You’re fine?
DAN: I’m fine.
“I’m so fine they named an emery board after me, that’s how fine I am, I am fine, I am über-fine…”
CASEY: Just want you to know how frightened I am of today’s broadcast.
DAN: Yeah, I hear ya.
Well, at least you admit it, Dan.
RETURNING Verbal Tic: Here’s the thing
Running count: 12
DANA: I like it. I like the visual image, don’t you? The city skyline, the banner…
NATALIE: Yes.
DANA: Here’s the thing.
NATALIE: What?
DANA: I’m not wild about the text.
…
DANA: … it’s a little on the nose, don’t you think?
NATALIE: ‘Welcome back’?
…
DANA: … it doesn’t bother you?
NATALIE: Not that much.
DANA: You know who it would bother?
NATALIE: Who?
DANA: Casey — I think it would bother Casey. I find Casey to be judgemental, and in my case I find him to be hyper-judgemental.
Good lord, Dana — must you take Casey’s stimming about cake that personally? I don’t think that’s enough evidence to say Casey is hyper-judgemental where your decisions are concerned.
RETURNING Verbal Tic: Damn right
Running count: 2
DANA: What do you think?
CASEY: About what?
DANA: About the banner.
CASEY: I like it.
DANA: Do you?
CASEY: It’s a good banner.
DANA: You don’t think it’s on the nose?
…
CASEY: There’s an economy of language.
DANA: Oh, and that’s unusual for me? Like I’m the one who can’t shut up?
CASEY: Dana —
DANA: You’re damn right there’s an economy of language. I got the job done in two words.
(sigh) I’m so done beating the dead horse of Dana’s hyper-insecurity…
DANA: I can make another cut, yes. We don’t need ‘back’. We can cut the ‘back’.
JEREMY: Cut the ‘back’?
DANA: Yes.
JEREMY: And have it just say ‘welcome’?
DANA: Yes.
CASEY: ‘Welcome’?
DANA: Do you have a problem with that?
JEREMY: He’ll think he just cleared Customs.
Hey, that’s actually pretty — fuck, the laugh track is back.
NATALIE: Let me hear ‘em — Continental Arena.
I was about to say “here we go again with things getting named after Continental Corp”, but I looked it up and there actually was a Continental (Airlines) Arena at the time of the episode, which held the Final Four three years earlier. Thank goodness I stopped myself.
DANA: I think it’s strange that Isaac isn’t here.
NATALIE: When was he supposed to get in?
DANA: Uh, he said he’d be here well before the show started.
monkaS
JEREMY: Maybe he stopped off.
DANA: Where?
JEREMY: For a pretzel.
DANA: I’m serious, he was supposed to —
JEREMY: The man’s been in Europe for two weeks, he hasn’t had a decent pretzel, maybe he stopped off and that was the cause for the delay.
DANA: And how long does it take to buy a pretzel?
JEREMY: Well, you’ve punctured a hole in my theory.
It’s not the only hole, Jeremy — have you never had a Bavarian pretzel?
NATALIE: Also, Bobbi isn’t here yet.
JEREMY: She called from the car.
DANA: And?
JEREMY: Stopped off for a pretzel.
DANA: Jeremy —
JEREMY: She’s on her way in.
If you were doing it for anyone else, Jeremy, I’d appreciate the attempt at levity, but the woman is clearly not in the mood. That was a highwire act failure right there.foreshadowing detected
DAN: This day’s got the earmarks, Casey.
Yet more changes between second revision on “final draft” and episode: before this line in the draft script, Casey does some riffing with Alyson in which he tries to get her to “enjoy the moment” like he did with the staff, and Dana approaches the desk to tell Casey and Dan that Isaac isn’t here yet only to reprise the “well before” exchange she had earlier with Natalie, much to her chagrin. I wouldn’t have minded the Alyson section staying in, but I suppose it had to go in the wake of removing the unnecessary Dana section.
DAN: Rebecca isn’t here, Isaac isn’t here… there’s a strangeness about this day.
DAVE: Thirty seconds live.
DAN: (pause) Eli’s coming.
RETURNING Verbal Tic: Musical theatre appeal
Running count: 6
CASEY: Lions, Tigers, and Bearcats, oh my! We’ve got expanded coverage of the NC Double-A Men’s Basketball Tournament, AKA March Madness.
Then we’re off to see the Wizards, right? Ah, wait, never mind, they had a shit season that year.
DAN: They say it’s always calmest before the storm. That’s not true. I’m a serious sailor. It isn’t calm before the storm. Stuff happens.
You keep making allusions to being a sailor, but we’ve never actually seen any proper evidence of it. When are you gonna cough it up, Dan?
NATALIE: Look who’s here.
BOBBI: Hi, Casey.
CASEY: Hey, Bobbi.
BOBBI: Hello, Dan.
DAN: (beat) Eli’s coming.
(I’ve been waiting so long to make that joke, of course I’m gonna make it twice.)
RETURNING Verbal Tic: How ya doin’
Running count: 13
DAN: How ya doin’?
BOBBI: I’m fine, Dan, I’m doing fine.
Are you actually fine, or are you saying you’re fine in that dramatic way that’s obviously meant to indicate that you’re not fine?
ELLIOT: They said his plane landed four hours ago.
DANA: And there’s no answer at the house?
ELLIOT: No.
JEREMY: Dana? No kidding — Saturday night coming in from JFK, if he took the Triborough, four hours wouldn’t be a record.
Hold on…
… What? Why would he be taking the Triborough to reach Sixth Avenue from JFK?
BOBBI: That’s what Virginia’s been doing all season, Dan, and that’s what Georgia Tech’s gonna see all night long.
Ah, the glory days of the ACC…
DAN: And how’s Rebecca’s ankle?
BOBBI: (beat) I’m sorry?
DAN: Rick… O’Brien — how’s Rick O’Brien’s ankle?
I’m starting to think Dan’s diction coach should be charging him double for every missed session — that’s the third time this season alone.
DAN: It’s hard not to notice that you’re a little calmer than usual.
BOBBI: Look, Danny, I know you’re worried I’m gonna go turbo on you. It’s really okay.
DAN: What’s really okay?
BOBBI: It.
DAN: ‘It’?
…
BOBBI: I don’t know why you’re pretending you don’t remember. You’re obviously not addle-minded. (beat) Let’s just forget it.
So much for not going turbo — again, she takes on a tack of addressing Dan as if he were a psychopathic liar rather than trying to help Dan recover his lost memories. It signals to the audience that she truly is crazy and not to be trusted like before… and yet:
DAN: … [T]he next time you bring this up, you better be armed with a photograph of me in a hotel room with you in Spain.
(BOBBI hands DAN a photograph)
DAN: That’s me.
You see? You could have spared Dan the agony by just doing this from the beginning, Bobbi! Why did you have to torture him with your accusations of malice when it was clearly just a foggy memory?
DAN: “Hotel de España”.
BOBBI: Yes.
DAN: The Hotel de España’s in Spain?
Cut between second revision “final draft” and episode is further elaboration on why Dan was geographically confused: Dan thought the Hotel de España was in France because he was with friends in Biarritz — a town in France along its coast with the Bay of Biscay near the border with Spain — but Bobbi corrected him to tell him that Hotel de España was not in Biarritz but rather in San Sebastián — a town in Spain along its coast with the Bay of Biscay near the border with France — and that Dan had driven there from Biarritz with his friends. The exchange likely got cut because of its density, if I had to guess, but I would have appreciated if that explanation had stayed in some capacity.
DAN: Wait a second, that’s me — that’s me in this picture… but that’s not you.
BOBBI: Yes, it is.
DAN: No, it’s not, I know this girl.
BOBBI: Yeah.
DAN: I know this girl.
BOBBI: Yes.
DAN: Her name’s Roberta. (pause) Oh, holy cow, I…
BOBBI: Bobbi Bernstein — nice to meet you.
DAN: (beat) Bobbi, this looks nothing like you.
Nope, I don’t buy it — there’s no way Bobbi could have changed her appearance so completely as to make Dan think she and the “girl” he knew were two separate people. It’s not like she was all that young at the time, either — Lisa Edelstein is five years older than Josh Charles. This whole dinky subplot simply does not do anything other than fill time for me.
REBECCA: My ankle’s fine.
DAN: Hey!
REBECCA: They put some ice on it and shot me up with cortisone, I’m good to go.
“Though I have a sudden hankering for eating cheese in the park now…”
REBECCA: Was that weird for you?
DAN: Seeing Steve Cisco in your office?
REBECCA: Yes.
DAN: No.
…
REBECCA: It wasn’t weird for you?
DAN: No.
(REBECCA pecks DAN on the lips)
DAN: It was weird for me.
REBECCA: Don’t you want to ask me why he was there?
DAN: No.
REBECCA: Really?
DAN: It’s none of my business.
…
REBECCA: So you don’t want to know why he was in my office on a Saturday?
DAN: No.
(REBECCA pecks DAN on the lips)
DAN: Why was he in your office on a Saturday?
Dang, who needs CIA interrogation techniques when you can weaponize kisses from Teri Polo?
REBECCA: Danny, Steve and I aren’t divorced.
DAN: You’re not?
REBECCA: No.
DAN: You’re married?
REBECCA: We’re separated.
DAN: (beat) I see.
REBECCA: Are you upset?
DAN: No.
All evidence to the contrary…
NEW Verbal Tic: Get away from me
(REBECCA moves to peck DAN again but DAN pulls back)
DAN: Get away from me with that thing, huh? Of course I’m upset. What’re you nuts? Huh? Are you some nutty, nut-girl who’s nuts?
“Are you the nut-filled Nut Queen of the nuthouse, you nutty nutter?”
REBECCA: I’m sorry I lied to you. If it’s any consolation, I never felt like I was lying, I felt like I was withholding the truth.
Oh, good lord — does she really think that makes a difference? Fuck her, if so. (On the bright side, at least we know she’s not Catholic.foreshadowing detected)
RETURNING Verbal Tic: Let me tell you something
Running count: 6
REBECCA: He wants to go into counseling.
DAN: Let me tell you something, that guy could use some counseling.
Abort, Dan.
RETURNING Dialogue Motif: Among other things
Previous instance: Sports Night 112
DAN: I mean, he is, among other things, an inveterate womanizer — not unlike the title character from the song by Three Dog Night if you choose to look at it that way, which I don’t.
ABORT!
DAN: I see it as a portent of something dark, but… that’s not what you meant by counseling.
Took you long enough…
DANA: What’s the rule on when do you call the police?
JEREMY: Well, in my house it was fifteen minutes after school let out.
There’s a story behind that answer Jeremy isn’t telling — was one of his sister’s Indian burn application ceremonies interrupted by a SWAT team at some point?
CASEY: So much basketball, so little time…
Another segment of Casey grilling Alyson on whether she’s enjoying the moment before this line was dropped. Now that we’re this far in, I suppose the two segments tonally clash with the rest of the episode, so I will begrudgingly accept their removal.
DAN: Hang on a second. I feel stupid. Be right back…
And yet more got cut before this line — Casey strikes up conversation with Dan about Rebecca, which includes this gem of an exchange:
DRAFT DAN: You know how you can be in the beginning of a relationship, and something comes along to threaten it, but then the woman tells you that you’re worried about nothing and everything’s fine and you feel stupid for having thought anything in the first place?
DRAFT CASEY: Yeah.
DRAFT DAN: None of those things happened.
I sincerely hope that was only cut for time, that is an absolutely musical exchange…
CASEY: Boy, it’s been a long time since I’ve been in here during a show.
DANA: I can’t tell you how much we’ve missed you.
(beep) Sarcasm Self Test complete! (beep)
CASEY: I think the show’s going well.
DANA: Do you?
CASEY: Yes.
DANA: ‘Cause your approval is important to me.
“Cut! Wait, never mind, there’s just a typo in the script, keep going.”
CASEY: Dana, whatever we’re gonna do, can we not do it in front of The Help?
What the fuck?! “The Help”?! I get that Dana is being unnecessarily pissy with you, Casey, but that’s no excuse for verbally downgrading everyone else in the room! This is gonna go south quick…
DANA: Let me off the hook.
CASEY: For what?
DANA: You know for what.
CASEY: I don’t.
DANA: You do.
CASEY: I really don’t.
DANA: You really do.
“I really, really don’t.” / “You really, really do.” Wait, no, it didn’t continue.
CASEY: You dumped the show off to Sally.
…
DANA: I handed it off.
CASEY: For Gordon.
… Why do you care, Casey? I’m honestly lost as to why Casey considers that an offense great enough to warrant his treatment of Dana in this scene. Surely he’s just using that as an excuse to get Dana to stop insisting he “knows what”?
CASEY: And you want me to let you off the hook?
DANA: Yes.
CASEY: Well, later, when there’s time, I’ll see if I can let you off the look. Right now there’s not time to let you off the hook. Right now there’s our show. You’ll let me know if something more important comes along, right?
This objection, I buy — Dana is coming close to sabotaging the show with her treatment of Casey this episode, which I’d say is sufficient motivation to respond in kind. That Dana seems to think Casey “started it” (in the vernacular of a prepubescent child) can only serve to make Casey angrier with her, because as far as I can tell nothing could be further from the truth.
DANA: I want so badly to rip his face off!
So you’re gonna send Casey six feet under for no fucking reason. Go off, I guess…
DAN: If you want to work on repairing your marriage… I will, in whatever way you want, support that.
REBECCA: Really?
DAN: Yeah.
(REBECCA pecks DAN on the lips)
DAN: Really.
Alright, back to the CIA interrogation techniques, I guess!
DAN: He’s such a bad guy, Rebecca.
Oh, never mind.
DAN: I’m sorry if that hurts you, but… I know these things. (beat) I’m not that good myself.
Well, at least you admit it, Dan.
CASEY: What’s up?
DAN: McMurtry 5 for 5 from the arc.
CASEY: He’s looking good.
We went from Casey telling Dan he doesn’t look so good in the draft — to which Dan responds he’s “a good lookin’ man” — to Dan reciting a free-throw stat — to which Casey responds the shooter is looking good. Interesting bit of inversion in the rewrite of that exchange…
DAN: What a jerk I was.
BOBBI: (beat) To who?
‘Whom’, Bobbi.
DAN: To you. (beat) I should’ve called you. (beat) If my not calling you made you feel like any less that what you are… I’m sorry.
BOBBI: (beat) Thank you.
DAN: Alright — so I’mma start you off on the North Carolina bench?
You know, credit where credit is due, Dan Rydell certainly knows how to deliver an apology. He said exactly what he needed to say to put the dispute behind them and got right back into work after that. Let’s see if Dana will do the same with Casey.
DANA: Oh, and like he’s never made his personal life a priority. Well, I guess we won’t count the ten years he was married to Lisa and I had to stand around and watch that, and who the hell is he to judge —
NATALIE: Dana —
DANA: No, I really don’t understand this.
NATALIE: I know, but —
DANA: Who the hell is he to judge the quality of my relationship with Gordon?
Never mind, looks like she’s still spiralling out of control…
CASEY: Dana.
DANA: Oh, excellent, ‘cause I’m due for another scolding.
Fuck off, Dana.
CASEY: Dana — Isaac’s at Columbia Presbyterian. He had a stroke.
DANA: (beat) What?
CASEY: Isaac had a stroke at the airport.
On 14 January 1999, Robert Guillaume suffered a stroke in his dressing room while preparing for shooting a scene. He was released from the hospital six days later, but was still nonetheless sidelined by a course of rehab that left him unable to film with Sports Night for some time. As a result, his presence in the episode “How Are Things in Glocca Morra?” was written out entirely, and with the dates associated to the draft script we have it’s entirely possible his role in the episode “Sally” was reduced mid-production to what he had already filmed.
It would be not even three weeks after the stroke that Mr. Sorkin would decide to incorporate this real-life stroke into the Sports Night universe, as the date of the draft script we have for this episode indicates. Doing so was a decidedly risky move, considering there was no guarantee whether Mr. Guillaume would come back in full force. Granted, the stroke was a mild one and he was already doing well with his rehab at the point this episode was written, but that doesn’t necessarily mean he would have been able to return to camera work (let alone stage work). Mr. Sorkin took a gamble — and thankfully for him, it would paid off… but we’ll get there when we get there.
For now — what shall we say about this episode? Frankly, I get the sense that Mr. Sorkin may have been having a little trouble juggling all the plot arcs he had set up for the latter half of the season. I already mentioned how the Casey-Dana storyline was abruptly paused last episode, and here the Jeremy storyline has been abruptly paused. The only throughline between the two episodes is the Dan-Rebecca storyline, which thankfully for me is not nearly as distasteful this episode as it was last episode. The addition of Bobbi into the mix feels a little superfluous given how that story arc was set up in the first place, but its conclusion gives Dan a satisfying opportunity to present himself as the mensch he can actually be when he tries. As for the Casey-Dana storyline… the less said about that the better, as far as I’m concerned. I badly don’t want to repeat myself on the painting of Dana’s character because I’m thoroughly tired of it at this point. Here’s to getting to the next season…
Once you’re done reviewing your stroke checklist (BE FAST!), the subscribe button is calling out to you to press it. Coming up next: things fall apart.
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